There’s no place like home — but sometimes we need to be reminded. Hence the timeless appeal of stories like L. Frank Baum’s “The Wizard of Oz,” which is being brought to life on Valley stages this week thanks to Oz Theatre Company.
The show, originally adapted for the Royal Shakespeare Company by John Kane, features music and lyrics by Harold Arlen and E.Y. Yarburg. “The Wizard of Oz” is the first of four shows playing in Mesa and Phoenix as part of the 2011/12 Theater League season.
I attended a Dec. 7 matinee at the Mesa Arts Center, where several families — many spanning three generations — also enjoyed the show. A pair of elementary age boys told me the show was really funny, and several girls noted that “Dorothy did a really good job.” For some, it was the black terrier “Toto” who stole the show.
Kerri McNeill, who recently earned a B.A. in theatre performance from Wagner College, makes her national touring debut as Dorothy Gale, and does a superb job. Her Dorothy is fresh and vibrant, with strong vocals — which explains the long list of “Past and Present of Wagner on Broadway” on the school’s website.
Patrick Pevehouse (Hank/Scarecrow) attended Oklahoma City University, Brian Maxseen (Hickory/Tinman) holds “a B.A. in make-believe from NYU/Tisch” and Brent Walker (Zeke/Lion) graduated with a BFA in musical theatre from the University of Central Florida. I notice these things more now that my own daughter is pursuing a BFA in acting at Pace University in NYC.
The trio’s collective performance is enchanting, bringing real warmth and humor to the stage. Audience members of all ages rewarded them often with laughter and applause, and also seemed especially smitten with Laurie Pascal in the roles of Miss Gulch and Wicked Witch of the West.
Kelly Karcher (Auntie Em/Glinda), Bryan Miner (Uncle Henry/Emerald City Guard), and Bob Pritchard (Professor Marvel/The Wizard of Oz) round out the very capable cast. The ensemble, which often breaks into old-school song and dance ala television variety shows of bygone days, adds real charm throughout.
Our own local actors, ten “Munchkins” from Greasepaint Youtheatre in Scottsdale, spend more time on stage than I’d expected — and fit right in with the rest of the cast. They’re perky, polished and professional, and I fully expect to be reviewing many of them in future touring productions. Enjoy them on Valley stages while you still can.
This production of “The Wizard of Oz” is a beautiful blend of storytelling and stagecraft for the young and young at heart. Never mind that cables are faintly visible as witches float through the air. It’s plenty magical for young audiences, as are projections that bring tornado debris, poppies and snow to life. The show features projections created by Second Home Productions, Aerographics by Flying by Foy and Special Effects by I & M Special Effects.
But I took more delight in the show’s colorful, creative costumes — plus imaginative wigs and hair props. The original set and costumes were designed by Tim McQuillen-Wright, and Bernie Ardia served as the original wig designer. Costume coordination and additional costume designs are the work of Jimm Halliday.
Head props, including tree branches that seem to grow like gravity-defiant pigtails dotted with shiny red apples, are the work of Liz Spray. Head wardrobe — no small feat in a show full of wonderfully whimsical hats, is by Jennifer Mohrman. Wigs are by Anthony Lauro. All enhance the show’s kid-friendly feel.
After three performances at Mesa Arts Center, “The Wizard of Oz” now moves to the Orpheum Theatre in downtown Phoenix for a Dec. 8-11 run. It’s another intimate venue perfect for introducing young audiences to musical theater. Take your children now, before they’re grown and moved away. Memories created at the theater together remind us for a lifetime that there’s no place like home.
Note: Future shows in the 2011/12 Theater League season for Mesa and Phoenix include “My Fair Lady,” “The Rat Pack is Back!” and “Rock of Ages.” Learn more at www.theaterleague.com. Folks with a special interest in projections in theater design will enjoy David Barbour’s “The Prevalence of Projections” in the Dec. 2011 issue of American Theatre magazine.
Coming up: Strolling meets sculpture, Quilting for a cause