Tag Archives: Once

Tony watching

Jim Parsons (L) and Kristin Chenoweth announcing the 2012 Tony Award nominees. Photo courtesy of ASU Gammage.

Watching the Tony Awards ceremony is a longstanding tradition at our house, and our daughter Lizabeth was especially excited about viewing this year’s awards after seeing eight of the shows nominated for one or more 2012 Tony Awards.

I’m fondest of the acceptance speeches, which so often include odes to parents, spouses, partners and kids. Remarks by Audra McDonald topped my list this year. McDonald assured her daughter that although winning the award made it a very special night, the more important day was Feb. 14, 2001 — the day Zoe was born.

Lizabeth once recounted meeting McDonald after attending one of her shows. She was eager to ask her a few questions, but noted that McDonald’s daughter was with her and decided to let the opportunity pass — figuring she’d want to get home at a decent hour on a school night.

When a pair of gentlemen accepted an award for “Newsies,” one offered a simple “Look mom, a Tony!” And Paloma Young, winner for best costume design of a play for her work on “Peter and the Starcatcher,” thanked her father for giving her “way too much adventure for one little girl.”

John Tiffany, winner of a Tony Award for best direction of a musical for his work on “Once,” thanked his family for giving him the gift of music. Another director, Mike Nichols, recalled being at the Beacon Theatre as a child. Nichols won a Tony Award for best direction of a play for his work on “Death of a Salesman.” Seems the site of this year’s ceremony was once his neighborhood movie theater.

Christian Borle, known to many for rocking the Tom Levitt role on the television series “Smash,” earned the Tony Award for best performance of an actor in a featured role in a play for his work on “Peter and the Starcatcher.” His remarks shared thanks for “making my mom so happy.”

James Corden, who won the Tony Award for best performance by an actor in a leading role in a play, thanks his “baby mama” and future wife for teaching him to say “us” instead of “I” and “we” instead of “me.” And Nina Arianda, winner of a Tony Award for best performance of an actress in a leading role in a play for her work in “Venus in Fur,” was ever so cherubic after Christopher Plummer handed her the award. “You sir,” she told him, “were my first crush.”

Most moving were remarks by Steve Kazee of “Once,” winner of a Tony Award for best performance by an actor in a leading role in a musical. Kazee lost his mother to cancer this past Easter, and shared something he recalls her saying — “Stand up and show them whose little boy you are.”

While most folks in Arizona were watching such moments on TV, others were enjoying the Tony Awards ceremony in New York. ASU Gammage organized a June 7-10 trip to NYC, with the option of staying an extra night to see the Tony Awards at the theater or in VIP seating in Times Square.

While in NYC, the ASU Gammage folks spent three evenings seeing shows and had several meals with Broadway professionals. Saturday’s itinerary included time with cast members from “The Book of Mormon,” “Priscilla Queen of the Desert,” “How to Succeed in Business Without Really Trying” and music types from both “Wicked” and “The Book of Mormon.”

They also spent time with both the president and vice president of Disney Theatricals Group — and I’m hoping all involved resisted the urge to break into a rousing chorus from “Newsies” or “Beauty and the Beast.” The latter is a “special engagement” for the 2012-13 season at ASU Gammage.

In addition, they toured several parts of NYC — a “renaissance” portion of 42nd Street, the Art Nouveau-style New Amsterdam Theatre (where presidents Obama and Clinton appeared just last week), parts of the NYC subway system, the 9/11 Memorial and Manhattan’s financial district. I’ve experienced them all, and was happy this time around to be tucked under a quilt sitting on the couch next to Lizabeth.

Now that she’s attending college in NYC, annual traditions like watching the Tony Awards on television are bittersweet reminders of the fact that she’ll soon be creating her own traditions far from the nest that nurtured her love for Broadway.

— Lynn

Note: The 2012 Tony Award winning play, “Clybourne Park,” is part of Arizona Theatre Company’s 2012-13 season — click here for details.

Coming up: Go “Jimmy” Go, “Les Mis” meets movie theater, Reimagining “Stage Mom”

Update: I’m now blogging as “Stage Mom Musings” at www.stagemommusings.com. Please find and follow me there to continue receiving posts about arts and culture in Arizona and beyond. Thanks for your patience as the tech fairies work to move all 1,250+ posts to the new site. For the latest news follow me on Twitter @stagemommusings.

Advertisements

What’s the buzz?

Cast of "Jesus Christ Superstar" on Broadway (Photo: Joan Marcus)

I enjoyed an amazing evening of Broadway trends in action during a preview performance earlier this month of the “Jesus Christ Superstar” revival that opened last week at the Neil Simon Theatre in NYC. Digital projections, folk flavor added to the pop/rock score and more.

All things Victor Hamburger with ASU Gammage in Tempe alerted me to during a recent call to talk trends on Broadway. Turns out ASU Gammage is one of the country’s biggest markets for touring Broadway productions. Also professional home to Colleen Jennings-Roggensack, executive director for ASU Gammage and recipient of a 2012 Arizona Governor’s Arts Award.

ASU Gammage will unveil its 2012/13 Broadway Across America season next week, so we’ll all get the chance to see trends translated into action. Audience engagement via social media and other means is one of the industry’s hottest trends, according to Hamburger. So folks who follow ASU Gammage are among the first to get the scoop — and enjoy opportunites to offer feedback.

Hamburger says they always work to provide a balance of shows that’ll appeal to folks with different tastes. Some prefer revivals, others prefer newer works. Some like nostalgia, others like the here and now. Some favor mature fare, others favor family fare. So I suppose the best season has a little something for everyone.

Steve Kazee and the cast of "Once," which recently opened on Broadway (Photo: Joan Marcus)

Simply looking at the Broadway landscape, you might surmise that topics your parents always told you to avoid at the dinner table make for the best subject matter. Religion, sex and sometimes even politics. “Jesus Christ Superstar” is one of several works that factors God into the mix. Think “Godspell,” “The Book of Mormon,” “Sister Act” and such. Going retro, with shows like “Mamma Mia!” and “Priscilla Queen of the Desert,” seems to be a safe bet too. God is groovy, but dance is divine.

Bringing movies to stage is another biggie these days, according to Hamburger (although “biggie” isn’t really a part of his vocabulary). Think “Once,” “Ghost,” and “Flashdance.” Seems they help introduce audiences fond of the big screen to stories told on stage. I was skeptical until I started reading reviews of “Once” that landed it high on my list of shows to see during future trips to NYC.

Casting artists dubbed celebrities is also on the rise — as evidenced by the current cast list of “How to Succeed in Business Without Really Trying,” which includes Nick Jonas as J. Pierrepont Finch, Beau Bridges as J.B. Bigley and Anderson Cooper as Narrator. Jonas started out on Broadway, but that’s not the case for others who’ve finessed Finch — including Daniel Radcliffe and Darren Criss, both of whom my daughter Lizabeth loved in the role. Snagging tix to see Jonas is high on her wish list these days.

Touring production of "Green Day's American Idiot" coming to ASU Gammage in April (Photo: Doug Hamilton)

Lizabeth lives in NYC, where she most recently saw “Evita” with fellow students at Pace University, and sometimes sees things well before they make their way to Arizona. I’m eager to see “Green Day’s American Idiot,” the next Broadway touring production coming to ASU Gammage, so I can compare notes with Lizabeth — who has seen it performed on Broadway.

I started taking Lizabeth to touring Broadway productions at ASU Gammage when she was just a little girl. Over the years we’ve enjoyed everything from “Annie” and “August: Osage County” to “In the Heights” and “Avenue Q” together. It’s all good in our book — because whatever the buzz on Broadway, sharing mother/daughter time at the theater never gets old.

— Lynn

Coming up: Exploring the Brooklyn Children’s Museum, The fine art of cowboys, In good company