Tag Archives: N2N

Tough choices

I’ve faced some tough choices lately…

What to pack for a theater trip to San Diego. Whether to try the pepperoni pizza or the rosemary chicken during my first trip to the new cafeteria at Phoenix Children’s Hospital.

These are choices plenty of folks never have the luxury of facing, and I feel grateful for them. Last weekend’s tough choices involved Valley theater productions.

Lizabeth and I hoped to get to “No Way to Treat a Lady” at Phoenix Theatre (we heard the leads were phenomenal), “Unstoppable Me!” performed by Cookie Company at Scottsdale’s Greasepaint Youtheatre (we love the casting) and “THIS” — being performed by Actors Theatre at the Herberger Theater Center.

Artwork by Anthony Ulinski

A friend we met for coffee at “Urban Beans” in midtown Phoenix no doubt meant to be helpful when reminding us that “Devil Boys from Beyond” is also on tap these days, but the choice there was a bit easier to make.

“Watching naked men or supporting women playwrights?,” I mused. “THIS,” written by Melissa James Gibson, won out — and Lizabeth ended up going the next day while I took Jennifer, my 19-year-old, to lunch at Chili’s near ASU.

Seems each time I’m there I remind my children that Chili’s was a favorite haunt when I was pregnant. “So,” asked Jennifer, “does this mean I will be getting a new baby brother or sister?” Another not so tough choice. I have a cat.

Lizabeth was quite fond of “THIS” and I hope to share some of her thoughts on the show in a future post. But for now I find myself pondering the weekend ahead, which offers another dizzying array of options in the arts and culture department.

There’s a film called “nomadak tx” playing at the Musical Instrument Museum in Phoenix on Sat, Feb 5, at 2:30pm — which profiles musicians who play an instrument built for two, only to discover it’s a meeting point between both two beings and two cultures.

There’s “The Crucible” — directed by Childsplay’s Debra K. Stevens — being performed Feb 3-5 at Mesa Community College’s Theatre Outback. Every student reads “The Crucible” in school, making this a fun and educational choice.

Lizabeth worked on “The Crucible” during a weeklong Childsplay workshop with Stevens and playwright Dwayne Hartford, which truly enriched her perspective on the Arthur Miller play she was already very familiar with and fond of. 

And yes — it is time already to begin making tough choices about spring break and summer camps. Hence the RAK Camp Fair coming up later this month. If you wait too long to choose, the choice will be made for you as the best camps fill up early on.

I should mention that we faced another tough choice last weekend during our first exploration of “Bards Books” — located next to our latest coffee grind find. Whether to buy all the treasures we found on the spot or wait until we could bring in some no longer needed titles for trade. We chose immediate gratification.

Our latest tough choice was simply whether to get flu shots in the left or right arm. Thank goodness we got that over with, because we’ve got bigger and better choices to make this weekend. And we’re grateful for each and every one.

— Lynn

Note: It’s an especially busy time for theater companies presenting shows for youth, all of whom need your support to continue their good works. Please visit the RAK calendar online to see your many choices of family-friendly performance art in the Valley this month.

Coming up: SCC theatre students hit the road, Pondering 5oo posts

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Road trip: Balboa Theatre

Balboa Theatre in San Diego

I confess to feeling like a bit of a traitor. Eager to see the musical “Next to Normal,” I went with Lizabeth to San Diego for the weekend so we could see the show at the Balboa Theatre.

We’re longtime season ticket holders for the “Broadway Across Arizona” series at ASU Gammage, but haven’t any way of knowing whether “Next to Normal” will be part of their 2011-2012 slate.

When a small group of students from Lizabeth’s school went to NYC last year, everyone else saw “The Phantom of the Opera” on Broadway. Lizabeth chose to see “Next to Normal” instead, and took another student along for the show — only to learn that an understudy was replacing Alice Ripley (winner of a 2009 Tony Award for best performance by a leading actress in a musical) for that performance.

Young fans sometimes linger after the show to request autographs

We waited a long time outside the Balboa Theatre stage door after Saturday night’s “Next to Normal” performance — hoping to meet Ripley and tell her just how powerful we found her performance.

Though she didn’t come out after the show (we suspect she was feeling a bit under the weather), we did get to chat with several other cast members — all very gracious about talking with folks, signing programs and posing for pictures.

Considering all the lights and strobe effects in the show, I half expected cast members to wince at the thought of enduring a flurry of flashes. But they seemed happy to linger, with smiles and personalities as bright as those amazing lights on the three-tier set.

Balboa Theatre features beautiful decor

We shared that we’d come from Arizona — and folks asked “Which part of Arizona?” My answer — “the liberal part” — drew a hearty laugh from a cast member who shared that he’d grown up in Utah. We felt among friends.

Also waiting at the stage door that night were two Arizona students — including an ASU journalism major. I gave her my card and invited her to send me a review of “Next to Normal” — which she sent nearly perfectly polished and before “deadline.”

This chocolate joint was open past midnight!

We were among the final folks to abandon the quest to meet Ms. Ripley. When the theater security guards lock up and a police car starts lingering nearby, you get the feeling your level of interest might be misconstrued.

But before we moved on for a late night Ghirardelli run, we chatted with a delightful stage mom. I’m afraid to attempt the spelling of her name — which is quite beautiful and exotic. But I can handle the name of her 8-year-old son, Pierre.

Perhaps Pierre will sign autographs some day

Apparently Pierre was terribly shy until his parents enrolled him in a theater class, which introduced him to a world where different can be good. Now he’s becoming a regular on the San Diego Junior Theatre stage.

Remembering as we spoke that Theater Works’ Youth Works in Peoria is readying to open “James and the Giant Peach,” I invited Pierre’s mom to have him give me a call. Seems he’s an avid reader of Roald Dahl — the author of the book on which this play is based. I also encouraged her to make an Arizona road trip to explore our family-friendly theater offerings by Childsplay and others.

The beaches of San Diego (portrayed in this mural at the airport) are hard to leave behind

We’ve never spent a night at the theater without being introduced to compelling ideas and creative people — whether here in the Valley, on Broadway, or in another state. I can’t wait to see what Arizona companies and venues are offering during the 2011-2012 season.

Even the folks who sell show merchandise are friendly and fun

Something tells me that a pair of young men we met in San Diego will be heading to Tempe this week to see “Spring Awakening” at ASU Gammage. It sounds like they may follow this musical the way young adults of earlier generations sought out the Grateful Dead or Bruce Springsteen.

But what of “Next to Normal?” I’ll share thoughts on the show in a future post — and am delighted today to share a review by Gabrielle Abrams, whose writing I expect to be reading in all sorts of places for many years to come.

— Lynn

Note: Visit the “On Stage” section of the daily online calendar at www.raisingarizonakids.com to learn about family-friendly theater options here in the Valley.

Coming up: Film competition for high school students, Valley theater company holds playwriting competition, More history meets theater

Photos by Lynn Trimble (with special thanks to Lizabeth for enduring her mother’s fascination with photographing signs and other oddities)

Theater for grown-ups

Stray Cat Theatre. Nearly Naked Theatre. Folks offering mostly mature-theme works are hoping you’ll book the babysitter and experience some of their upcoming “theater for grown-ups” fare.

I’m as big a fan of “Jungle Book” and “Peter Pan” as the next person, but sometimes a change of scenery is in order. So here’s a sampling of some of your options…

The Great Arizona Puppet Theater presents adult puppet slams several times a year for the age 18 & up set. I’ve never been, but I’m told it draws a good crowd — and I’m eager to join the fun. Their next adult slam takes place at 8pm on Fri, Dec 3 and Sat, Dec 4.

Scene from New Carpa's American Pastorela by playwright James E. Garcia

New Carpa Theater, a company founded in 2006 that specializes in “Latino and multicultural theater works,” presents their latest production Dec 4-19 at the Arizona Latino Arts & Cultural Center in downtown Phoenix (near Symphony Hall).

“American Pastorela: Show Us Your Papers!” is an unabashedly political play written by James Garcia and directed by Arturo Martinez — who certainly have a lot to add to the Arizona dialogue.

Stray Cat Theatre in Tempe presents “Learn to be Latina” Dec 3-18. It’s written by Enrique Urueta and directed by Ron May — and features the tale of a Lebanese woman told she must feign being Latina to achieve pop singer stardom.

Enjoy a talkback with playwright Enrique Urueta after the 2pm performance on Sun, Dec 5

Both May and Urueta will join the audience for a talk-back session following the 2pm performance on Sun, Dec 5. It should prove an interesting discussion of various issues related to self-identity.

For grown-ups who aren’t particularly fond of holidays or musicals, Space 55 in Phoenix presents “A Bloody Mary Christmas” Dec 3-18 (all Fri/Sat eve shows). Reduced ticket price available with canned food item donation to St. Mary’s Food Bank Alliance.

And now for the naked part. Nearly Naked Theatre, which performs at Phoenix Theatre’s Little Theatre, presents an Arizona premiere titled “Devil Boys From Beyond” Jan 8-29.

It’s written by Buddy Thomas and Kenneth Elliott, with direction by Toby Yatso. Think campy space-invader movie from the ’50s or ’60s. This baby won the 2009 award for overall excellence for outstanding play at the 2009 New York Fringe Festival. (Maybe for this one someone will actually wear fringe?)

N2N presents a full season of Arizona premieres for 2010-2011, including Devil Boys From Beyond

If alternative theater is your vibe, save the dates April 1-10, 2011 — when the 2011 Phoenix Fringe Festival takes place. Just get a sitter and a room for this one people. It makes for a great weekend “staycation.”

With any luck at all, the sitter will simply assume that you’ve developed a quaint fascination with fabric arts.

— Lynn

Note: Other theater companies with offerings enjoyed by adult (and sometimes younger) audiences include Actors Theatre, Arizona Jewish Theatre Company, Arizona Theatre Company, Black Theatre Troupe, and Phoenix Theatre.

Coming up: Traveling tribe comes to ASU Gammage, Southwest Shakespeare Company presents “Twelfth Night,” Family-friendy theater options, Art venues and holiday shopping