I headed out Saturday to see the opening performance of “James and the Giant Peach” at the Peoria Center for the Performing Arts. It’s being presented by Theater Works’ Youth Works through Feb 20 — and it’s a truly charming take on Roald Dahl’s book of the same name.
I ran into a fellow stage mom at the box office, who told me to “take a lot of pictures of the aunts.” A lovely idea but impossible because my camera is in NYC for a week with my 17-year-old daughter Lizabeth.
Zane Reisert (Old Green Grasshopper) and Evan Arganbright (James)
After the show, I hung around to chat with cast and family members — including a young actor named Evan Arganbright who performed the role of “James.”
He reminds me of Lizabeth during her early years with Greasepaint Youtheatre in Scottsdale.
For a time, it’s all about the cute factor — and Arganbright has it.
I’ll share a bit more of his story, and a review of “James and the Giant Peach” in a future post.
On my way home, I got a call from my 21-year-old son, Christopher, who finished a volunteer gig early and was waiting for the teen taxi.
I picked him up and we headed to Tempe to get my 19-year-old daughter Jennifer, an ASU student who still heads home on weekends for laundry, tech support and life’s little essentials like Dr Pepper.
We got to Tempe just before 4pm — and a lightbulb went off. I dropped Christopher off at a burger joint and headed back to the Tempe Center for the Arts, where Childsplay is performing “Go, Dog. Go!” (based on the book by P.D. Eastman) at 1pm and 4pm on Saturdays and Sundays through March 6.
Scene from a former Childsplay production of "Go, Dog. Go!"
I got to TCA in the nick of time, and took a seat near one of three houses (the dog house) that anchor the set.
“Go, Dog. Go!” is performed “theater in the round” style, so preschoolers were seated all around the circular floor-level performance area.
They were giggling nearly non-stop, as were more than a few of the grown-ups sitting in rows behind them.
Both “James and the Giant Peach” and “Go, Dog. Go!” are performed in relatively small spaces — and even feature somewhat similar lighting for scenes with a starlit sky. One is done with a giant set piece (a rotating peach) in the center of the space, while the other features three houses around the perimeter of the performance area.
Each production puts a unique spin on things. The “James and the Giant Peach” set includes a screen showing puppetry mirroring the action of the play. The “Go, Dog. Go!” set extends to the theater’s first balcony — where a character named Hattie (sporting some serious pink) glides along while asking, “Do you like my hat?”
I had to duck out during the “Go, Dog. Go!” intermission to take care of some things for my own kids, but stopped on the way to admire the books, CDs and even pink poodle purse at the Childsplay display tables on the way out.
I’ll share more about the performance, and the educational lobby display, in a future post. I expect to see the show again with Lizabeth once she’s done with college audition travels.
It’s just as well, I suppose, that I got called away early. I fear my own uproarious laughter, more like snorting really, was a bit too much for the more subdued grown-ups in the audience — though someone from Childsplay did laud my “setting a good example” for those less inclined to let go and let dog.
Before scurrying out of the Tempe Center for the Performing Arts, I was lured by visions of glass in the venue’s dedicated exhibit space — stumbling first on a trio of works by Angela Cazel Jahn, co-founder and former artistic director for the Children’s Museum of Phoenix.
Today she’s part of the “eye lounge” artist collective in downtown Phoenix. Cazel Jahn also is a dedicated stage mom, in the most positive sense of the word, and I hope to share more of her story in a future post as well.
TCA's exhibit of glass art features several intriguing mixed-media works
The current TCA Gallery exhibit also features works coupling glass with neon, metal and other intriguing materials.
The exhibit space is modest in size with a very intimate feel–making it a perfect introduction for children to the world of art exhibits and museums.
My final stop before getting Jennifer and going home was a longtime Mill Avenue haunt called “The Shoe Mill” — where we found a rugged but stylish pair of black leather boots that we photographed via cell phone for Lizabeth. How odd, I thought, that a teen surrounded by NYC shopping options might find the finest boots back home in Tempe.
Eventually the three of us made our way home, happy to be off our feet and out of the cold (by Arizona standards) weather. Soon the washing machine was humming and we were waiting word from Lizabeth about her first day of auditions.
But that’s a story for another day — and it’s her story, not mine, to tell.
The little girl who once would have joined me for a day of peaches and poodles is making her own way in the world of theater, and I couldn’t be more proud of her hard work, talent and passion for the craft.
Note: Lizabeth has studied with each of the actors performing in Childsplay’s “Go, Dog. Go!” — which makes watching them perform even more meaningful as a mom. Click here to learn about Childsplay summer classes. Click here to learn about Theater Works summer camps. Click here to learn about “Glee” camp with “Yellow Dog” actor Kristen Drathman. Finally, click here to learn about the 2011 RAK Camp Fair featuring diverse camp options for Valley children and teens.
Coming up: Valley teachers talk theater