Tag Archives: Dr. Seuss

Once upon a shamrock

Images of three leaf clovers are popping up all over as Valley families with Irish roots prepare to celebrate St. Patrick’s Day, which honors the patron saint of Ireland. A nifty PBS “Religion and Ethics Newsweekly” multifaith calendar says he’s “credited with spreading Christianity in Ireland and abolishing pagan practices in the fourth century” — noting that he used the shamrock to “explain the mystery of the Christian doctrine of the Trinity.”

Turns out lots of religious holidays happen this month. March 8 was Purim in Judaism, Holi (the festival of colors) in Hinduism and Magha Puja Day (honoring Buddha’s birthday) in Buddhism. Scientologists celebrate the birth of founder L. Ron Hubbard on March 13, and Christians follow the March 17 celebration of St. Patrick with “Saint Joseph’s Day” in honor of “the earthly father of Jesus” on March 18.

I’m no Irish scholar, but I’ve got a Scotch-Irish spouse and green eyes that protect me from the pinch, and something tells me St. Patrick would have expected more of people than a day spent pub crawling. So while others are trolling for green beer, consider exploring family-friendly St. Patrick’s Day fare with an arts and culture twist.

Families can enjoy Irish music, dance and more at the Phoenix St. Patrick’s Day parade first held in 1983. Its purpose, according to the Irish Cultural Center in Phoenix, is “to preserve and enhance the heritage and traditions of the Irish Culture as well as share that culture with the citizens of Arizona.” For some it’s “a traditional day for spiritual renewal and offering prayers for missionaries worldwide.”

This year’s parade begins Sat, March 17 at 10am — with a parade from the Irish Cultural Center to Margaret T. Hance Park,  where the rest of the day’s activities unfold. I had a great time at last year’s festival seeing parents carting green-clad children around in decorated strollers and wagons, and watching older couples getting “jig” with it as Irish dance music floated from stage to the lovely lawns just right for dancing.

Remember, as you’re celebrating Irish arts and culture, that the Irish are but one of many groups to immigrate to America — something profoundly illustrated near the end of the musical “In the Heights” when the sign over a business sold by a Latino couple comes down only to reveal an earlier sign from a business run by Irish Americans. Circles of lifes of life, circles of culture — all worth celebrating.

The Phoenix Symphony performs “Dr. Seuss’ Green Eggs and Ham” Sat, March 17 at the Orpheum Theatre in Phoenix. Families can “follow and interact with Sam-I-Am” as he rhymes his way through the classic Seuss tale told by folks from The Phoenix Symphony and Valley Youth Theatre. Best to read “Green Eggs and Ham” rather than eat them.

Folks seeking authentic Irish fare can head to a little neighborhood joint in Scottsdale called Randy’s, or hit the MIM Cafe at the Musical Instrument Museum — where the chef often sets the mood for celebrations of holidays and world culture with special menu items created with fresh Arizona-grown ingredients.

The MIM presents a five-piece acoustic Irish band called Trotters Wake Thurs, March 15 at 6pm. I’m told they perform “new and old Irish drinking songs, rebel songs, ballads, and traditional instrumental tunes” on acoustic guitar, mandolin, fiddle and electric bass. Or hit the MIM between noon and 3pm to enjoy Tramor/Overseas performing traditional Welsh music with bagpipes, flutes, whistles, mandolins, guitar, percussion, storytelling and dance. Then tour the museum’s collection of European instruments to learn more about materials used in making bagpipes and such.

The Children’s Museum of Phoenix art studio, open from 10am to 3pm, is featuring arts and crafts with a St. Patrick’s Day vibe through Sat, March 17. Think shamrock hats, lucky leprechaun wands and green playdough. They’re also celebrating artists Georgia O’Keefe and Salvador Dali and continuing ongoing projects like painting a giant rocket, playing in the puppet theater, and exploring plenty of books and toys.

You’ll find oodles of other fun activities in print and online editions of the Raising Arizona Kids Magazine calendar — including St. Patrick’s Day events presented by Lakeshore Learning Stores, Local Lily, Shamrock Farms and Hubbard Family Swim School.

I’ll be celebrating by revisiting the works of great Irish writers like Oscar Wilde and George Bernard Shaw, and finishing a dark little work by Irish playwright Martin McDonagh. Now that our three kids are in college, we can indulge our drive to spend more time on reading and reflection.

Those of you with younger children can seize St. Patrick’s Day as an opportunity to read with your children about Irish history and culture, or to remind them of the many gifts immigrants continue to bestow upon our country.

The worst sin towards our fellow creatures is not to hate them, but to be indifferent to them; that’s the essence of inhumanity. — George Bernard Shaw

— Lynn

Note: If your arts and culture organization is offering a family-friendly event or activity to celebrate St. Patrick’s Day, please comment below to let our readers know. Click here to learn more about submitting event information to our calendar editor.

Coming up: Dancing with the real stars


Once upon a theater camp

Aaron Zweiback performs in Green Eggs & Ham with The Phoenix Symphony on St. Patrick's Day

I was reminded while reading Mala Blomquist’s post this morning that spring break camps will soon be upon us, and was busy trolling for camps with an arts and culture twist when interrupted by a call from 12-year-old actor and ASA student Aaron Zweiback, whose theater teachers include Xanthia Walker.

I first met Zweiback last summer when my daughter Lizabeth, who now studies acting in NYC, was a teacher assistant with Childsplay Academy in Tempe. She’d invited me to see the final performance of a summer workshop with a “Hairspray” theme. Zweiback was one of several campers performing snippets of the musical for family and friends — and his Edna a la bathrobe was a hoot. He’s also done theater camps with Phoenix Theatre.

I ran into Zweiback after a recent Valley Youth Theatre performance of “Charlotte’s Web” — during which he rocked the rat role — and put fist to ear with the typical “call me” sign after chatting with his dad. In a rather spooky coincidence, I’d been wondering earlier this morning whether he’d ever have time to actually pick up a phone.

Today was the day, and the call couldn’t have been better timed. Turns out Zweiback is performing in several shows I’ll be seeing in coming days and weeks. I learned yesterday that I’ll need a little snip to a torn part of my left knee, but decided to postpone all things arthroscopy for another two weeks in order to keep my review calendar mostly intact.

Aaron Zweiback recently performed in Charlotte's Web at Valley Youth Theatre

So life looks like this for me and my knee: See Zweiback and others perform in “Gypsy” at Phoenix Theatre this weekend, limp my way through a trip to visit Lizabeth over spring break, then catch a returning flight in the wee hours that gets me home just in time to hit another Zweiback gig — The Phoenix Symphony performing “Green Eggs and Ham.” Then squeeze in the surgery thing (with a doc who took his kids to see a friend from the Valley perform in “Grease” on Broadway a few years ago). I’m told the wait won’t worsen what ails me.

Turns out “Green Eggs and Ham” includes all sorts of amazing folks from Valley stages. ASA teacher and renowned Valley actor Toby Yatso, with whom both Lizabeth and Zweiback have studied voice, is narrating the story. Zweiback does his “boy soprano” thing as “Sam I Am” and shared that the theatrical piece of the concert is being blocked, choreographed and directed by Bobb Cooper, VYT’s producing artistic director.

There’s another Sam in Zweiback’s life as well — an actor named Sam Primack whose little mittens I once guarded with care as backstage mom for a Greasepaint Youtheatre production of “Oliver.” He and Zweiback were in “A Christmas Story” at Phoenix Theatre earlier this season, and both are cast in Childsplay’s world premiere production of Dwayne Hartford’s “The Color of Stars.”

Sam Primack poses with a VYT fan after performing in Charlotte's Web

After Zweiback shared a bit about auditioning for all these shows, I invited him to write a guest blog with audition tips for young actors — and he graciously agreed. It takes a generous spirit to share one’s own “secrets to success” and Zweiback certainly has one. I fully expect to see him performing on Broadway stages one day, and hope he’ll also keep an eye out for opportunities to audition for roles in works by William Shakespeare where his intellect and gift for comedy would shine.

If the ticket fairies are working in my favor, I’ll be able to enjoy the work of another Valley-trained actor while in NYC next week. Nick Cartell, who has performed with VYT, Phoenix Theatre and other Arizona companies makes his Broadway debut this month in a revival of “Jesus Christ Superstar.”

Katie Czajkowksi and Aaron Zweiback after a Childsplay summer camp performance based on the musical Hairspray

I’m also looking forward to the Homestead Playhouse production of “Holes,” being performed at Copper Ridge School in Scottsdale March 28-30, because another young performer I met after the Childsplay “Hairspray” camp performance landed the warden role. Katie’s mom, Deb Czajkowski, recently got in touch to share the happy news — and her thoughts on the many benefits of theater for youth.

I hope those of you still wondering what your children or teens might enjoy doing over spring break will do a little theater camp legwork. One day, perhaps, you’ll get to turn to your child and share the old theater adage for good luck — “Break a leg!” Just try to keep your own body parts intact in the meantime…

— Lynn

Note: Click here to read Mala Blomquist’s post on spring break camps and here to learn about all sorts of summer camps. Find additional spring break camps at Voices Studio, Creative Stages Youth Theatre and Mesa Arts Center (if you’ve got one, send me the scoop at rakstagemom@gmail.com).

Coming up: Spring break NYC-style, Hometown boy makes Broadway debut

Thank the trees

"The Lorax" is filled with colorful gadgets and contraptions

Christopher raced to the kitchen once we got home from seeing “The Lorax” Friday afternoon, eager to make a batch of homemade lemonade using lemons from our backyard. James strolled through the kitchen, commenting on the lovely citrus aroma. “Thank the trees,” Christopher told him. Spoken like a true lover of the Lorax.

Beware the corporations bearing marshmallows and axes

The Lorax” was released on Friday, which would have been Theodor Seuss Giesel’s 108th birthday were people inclined to live so long. Many a tree outlived Dr. Seuss, something I suspect would please him very much. Alas — many a plastic outlived him too.

Snappy jingles and heavy surveillance keep this CEO in power

The Lorax” imagines a perfect world in which Mr. O’Hare sells the people clean air. Even trees are part of the artificial fare. Over dinner one night, a little boy named Ted watches unimpressed as his mother uses the remote control to take the latest model purchased for their backyard through three neon seasons plus a fourth ala disco.

Ted lives in a world where people reap more than they sow

But Ted’s got real trees on the brain, after learning from a girl up the street that it’s the only thing she truly wants for her birthday. Despite his mother’s insistence that real trees are useless, Ted’s Grammy Norma is game — telling him where to begin the search.

Grammy Norma helps her daughter remember pre-plastic days

Seems there’s a whole other world outside of town. Once filled with trees topped by colorful foliage, it’s now desolate and dark with dirty air. The animals that once called the habitat home are gone, and just a single soul named Once-ler remains.

"The Lorax" is full of fun, friendly creatures

Once-ler shares the story of the Lorax, whose job it is to speak for the trees. But O’Hare isn’t pleased, and pursues Ted during his quest. If townsfolk remember that trees make air for free, they’ll have no need for his product. Seems there’s a single seed that can repopulate the forest, but O’Hare is out to destroy it.

"The Lorax" trumpets the real over the fake

Unlike movies that treat environmental themes as subtext, “The Lorax” is transparent from the start. We need trees, but trees need us too. Hence the heavy ecology vibe throughout both the film and corollary materials like children’s activities on the movie’s website. Like the Lorax, it’s our job to speak for the trees — for all of nature, really, if we’re to assure both its survival and our own.

Even fish sing and dance in the world of "The Lorax"

Most of “The Lorax” features colors found in plastic aquarium fare, so you’ll find a bit of irony there. But the characters, including a trio of singing fish and a wide-eyed baby bear, are charming. And the music is a delight. As the credits rolled, several kids ran to the front of the theater and started dancing in front of the screen — reaching up to try and touch each feathery tree that flashed above them.

"The Lorax" seeks to open eyes and inspire action

They’re a generation already converted, I suppose, for whom this film is a simple affirmation of faith never questioned. It won’t change many minds among more mature viewers. But at least they’re happy to watch the little ones get up and dance.

— Lynn

Note: Click here to visit Seussville online, here to learn more about “The Lorax” and here to explore the “Do Not Destroy: Trees, Art and Jewish Thought” exhibition at the Contemporary Jewish Museum in San Francisco.

Coming up: Get creative!

Seuss sightings

Copperstar Repertory Co. presents Seussical at Higley Center for the Arts in March

Don the striped felt hats and ready the green eggs and ham — because all things Seuss are headed our way as families ready to celebrate the March 2 birthday of the man who brought us all those “things you can think.”

Fountain Hills Youth Theater opens its production of “Seussical Jr.” this Friday, Feb. 3. It’s family-friendly fare featuring favorite Seuss characters including Horton the Elephant, The Cat in the Hat, Gertrude McFuzz, Lazy Mayzie and Jojo.

Front (L to R): Elysha Nemeth and Skylar Bickley, Back (L to R): Emily Spets, Patrick Moyse and Peyton Jordan in Seussical Jr. at Fountain Hills Theater

Musical Theatre of Anthem opens its production of “Seussical Jr.” Feb. 17 at Boulder Creek High School in Anthem. “Seussical Jr.” features songs like “Horton Hears a Who,” “How to Raise a Child,” “It’s Possible,” “Green Eggs and Ham” and “All Alone in the Universe.”

The musical “Seussical” presented by Copperstar Repertory Co., in partnership with Higley Center for the Arts, opens March 23. “Seussical,” which debuted on Broadway in 2000, is based on more than a dozen Seuss stories. It’s longer than the later “Jr.” version and contains a military thread removed from the musical’s adaptations for youth.

I took daughter Lizabeth to see “Seussical” when the touring production starring Cathy Rigsby came to ASU Gammage as part of its 2002-2003 season. She was about 10 years old at the time, and loved everything about it. She still does.

“Seussical” features book by Lynn Ahrens and Stephen Flaherty, whose names are as famous to musical theater folk as Dr. Suess is to the rest of us. Flaherty wrote the music for “Seussical,” and Ahrens the lyrics. Their first team venture was a 1988 musical called “Lucky Stiff.”

Lizabeth performed in the Arizona School for the Arts production of “Lucky Stiff” at Greasepaint Youtheatre before heading off to NYC for college theater studies. It was directed by Toby Yatso, who’ll be narrating “Dr. Seuss’ Green Eggs and Ham” for the Phoenix Symphony on March 17.

Cast members from the Musical Theatre of Anthem production of Seussical, Jr. (Photo: Olga Smirnoff)

“Dr. Seuss’ Green Eggs and Ham” is being conducted by Joseph Young and performed at the Orpheum in Phoenix. It features Allison Stanford (soprano) and Aaron Zweiback (boy soprano) and Bill Wanser (percussion) as well as Yatso and actors from Valley Youth Theatre

I first saw the talented Zweiback perform during a Childsplay Academy performance featuring selections from the musical “Grease,” but he’s since performed with Phoenix Theatre and VYT.

The Phoenix Symphony production allows families to “follow and interact with Sam-I-Am as he rhymes his way through Dr. Seuss’ Green Eggs and Ham.” It’ll feature “a rendition of Gerald McBoing Boing, an animated short film by Dr. Seuss and selections from Seussical the Musical.”

Dr. Seuss’ The Lorax,” from the creators of “Despicable Me,” opens in movie theaters nationwide March 2. It follows the adventures of a 12-year-old boy seeking to win the girl of his dreams, and features lots of big names from Zac Efron and Taylor Swift to Betty White and Danny DeVito.

One Seuss, Two Seuss. Theater Seuss, Musical Suess. It’s all good. But I’m still not sporting the big hat.

— Lynn

Note: Check your local libraries and bookstores as Dr. Seuss’ birthday draws near for special Seuss-inspired activities for children and families. Click here to explore a PBS Independent Lens presentation called “The Political Dr. Seuss,” and here to enjoy PBS’ “The Cat in the Hat Knows a Lot About That.”

Coming up: Here piggy, piggy…

Orchestral dreams

Joseph Young, resident conductor for The Phoenix Symphony

Joseph Young, the recently appointed resident conductor for The Phoenix Symphony, was still adjusting to the Arizona heat when we spoke by phone one August afternoon. “It’s almost over, right?” I didn’t have the heart to tell him otherwise.

Something tells me he’s looking forward to The Phoenix Symphony performance of “The Music of John Williams” at the Yavapai College Auditorium in Prescott come early October.

Still, the heat doesn’t appear to be cramping Young’s style. He’s enjoyed several hikes on Squaw Peak and speaks with enthusiasm about exploring Valley arts destinations like the Phoenix Art Museum.

Young serves as conductor for the Family Series at Symphony Hall

“I was surprised by the quality here,” he says of his early experiences with Arizona arts and culture. Seems some folks in other parts of the country underappreciate our arts scene, but Young’s tuned in to all sorts of dance and theater groups — and likes the way so many support and enrich each other. Young describes the Valley arts scene as “very inclusive.”

His parents never listened to classical music. Instead, Young grew up listening to gospel music and “top 40” tunes. Today he listens to lots of classical music, but also The Black Eyed Peas, Lady Gaga and “funk bands” like Earth, Wind and Fire.

Young, now 29, discovered musical instruments after a band program came to visit his school in South Carolina. “I saw the trumpet and my dad was looking for something to keep me out of trouble,” muses Young. “The trumpet was the only instrument I could make a sound on at the time.” He played through high school and college but caught the conducting bug at 16.

Young attended a five-week summer program where he not only played the trumpet but also took classes in music history, music theory and conducting. “That was the first time I got in touch with conducting,” recalls Young. “I’ve wanted to be an orchestral conductor since I was 16.”

He’s careful to distinguish “classical” music from “orchestral” music. Today’s orchestras play more than classical selections, as evidenced by offerings in this season’s “Target Family Series” from The Phoenix Symphony.

Young also heads up Symphony in the Schools and Classroom Concerts

The series includes “Holiday Celebration” (Dec), “Beethoven Lives Upstairs” (Jan), “Dr. Seuss’ Green Eggs & Ham” (March), “Musical Fables” (April) and “High Flying! Cirque de la Symphonie” (May). Families can purchase individual tickets or save by getting a season package.

Though he’s not a parent, Young seems very much in tune with today’s children and teens. Young spent three years teaching high school music, which left him with a deep appreciation for the balancing act of managing a myriad of activities in a complex world. “We have to bring music to the kids,” he says, “without forcing it.”

The Phoenix Symphony has charged Young with “programming, rehearsing and conducting” their pops and family concerts, and two education programs — Symphony in the Schools and Classroom Concerts. He also conducts at special events.

When describing his work, Young speaks not only of conducting but also his role as music “advocate.” He’s got lots of ideas for making orchestral experiences fresh and fun for both children and their grown-ups.

You’ll find Young in the Symphony Hall lobby after most family series concerts. Seems he enjoys showing children how to conduct. Also answering their questions about music and getting feedback about their concert experiences. He’s even game when families want him to pose with their children for photos.

Something tells me bulletin boards in kids’ rooms all over the Valley will be sporting these pictures before too long. How wonderful to grow up in a city where conductors are right up there with all our other superheroes.

— Lynn

Note: Watch for details on The Phoenix Symphony’s education and community programs in a future issue of Raising Arizona Kids magazine or visit www.phoenixsymphony.org to explore their offerings right away. Photos from www.josephfyoung.com.

Coming up: Crepes & creativity, Zoo tales

Update: Joseph Young was recently featured in an Eight Arizona PBS “Arizona ArtBeat” segment — click here to watch it online. Updated 11/16/11.

Symphony meets Seuss

My daughter Lizabeth, now nearly 18 and heading off to college this fall, found these pictures of her early violin days while sifting through old photo boxes recently

All three of our children grew up attending Phoenix Symphony concerts several times a year. They appreciated them more, I think, because they all played instruments at the time. Violin for Lizabeth. Flute for Jennifer. And saxophone for Christoper. Plus piano for all three.

Often our favorites were concerts from the “Family Series” — works selected by the Phoenix Symphony because of their appeal to children and families. When their 2011/12 season brochure landed in my mailbox recently, I turned first to the “Family Series” portion — which may well be their best family offering yet.

The series runs December 2011 through May 2012. All “Family Series” concerts take place at 2:30pm on Saturdays — making them easy for busy parents to remember. And late enough in the day that most children have finished morning dance lessons, soccer practice and such.

Mark you calendars now, just to be on the safe side. And consider getting a “Family Series” subscription. Especially for younger children, it’s nice to have the familiarity of sitting in the same seats for each performance.

There are plenty of benefits for the grown-ups, too. Special event concert pre-sales. A discount dining card. Prepaid parking privileges. And ticket exchange flexibility. And my personal favorite, the ability to get duplicate tickets when mine get mysteriously misplaced.

So here’s the rundown on this season’s “Family Series” events: “Holiday Celebration” (Dec 3), “Beethoven Lives Upstairs” (Jan 7), “Dr. Seuss’ Green Eggs & Ham” (March 17), “Musical Fables” (April 28) and “High Flying! Cirque de la Symphonie” (May 26). I love that so many have links to literature.

The “APS Pop Series” sounds just as fun. Think Gershwin. Motown. Rat Pack. Rodgers and Hammerstein. More Cirque de la Symphonie. Even “Broadway Rocks” — featuring “three Broadway soloists” performing hits from shows like “Wicked,” “Jersey Boys,” “Hairspray,” “Rent,” “Dreamgirls,” and “Mamma Mia!”

My baby, who’ll soon be turning 18, starts college this fall just a few blocks from Broadway. I’m going to miss her something fierce — especially when I hear the Phoenix Symphony performing showtunes, or partnering with Phoenix Theatre on numbers from “Carousel,” “Cinderella,” “The King and I,” “South Pacific,” and “The Sound of Music.”

The Phoenix Symphony offers additional 2011/12 series — including “Classics,” “Coffee Classics” and “Scottsdale” as well as special concerts. There’s an annual event to benefit their education and community outreach programs. Performances of “Handel’s Messiah” throughout the Valley. And a “New Year’s Eve Celebration.”

Remember, as you’re planning trips to hear the Phoenix Symphony perform at Symphony Hall in Phoenix, that the downtown area is also home to all sorts of kid-friendly fare. The Children’s Museum of Phoenix. Valley Youth Theatre. The Arizona Science Center. Burton Barr Central Library. The Heard Museum. And more.

If vacations to other parts feel too cumbersome or costly, consider enjoying a bit of arts tourism right here at home. Symphony Hall is near several hotels, and places like the Arizona Center have food options for even finicky young eaters. Why not make a whole weekend of it?

— Lynn

Coming up: More musings on arts tourism, Valley choirs for children and teens

Theater + Science = Tolerance

Crayons -- a simple tool for teaching children that different is beautiful

Childsplay of Tempe has long produced and performed works that help folks see more of each other’s similarities than differences — and to embrace and appreciate the differences.

This weekend Valley families will enjoy a rare opportunity to see Childsplay perform “New Kid” at the Arizona Science Center — a performance meant to enhance the principles of tolerance promoted by the current “RACE: Are We So Different?” exhibit.

The “RACE” exhibit is a “limited engagement” offering you can enjoy at the Arizona Science Center only through Jan 2, 2011. It’s a multi-sensory, hands-on exhibit that’ll help you separate fact from fiction on the topic of race in America.

“New Kid” is appropriate for grades K-8, and addresses multiple themes relevant to the everyday lives of today’s youth — including bullies and targets, stereotypes and prejudice.

It’ll inspire your children to think more about immigration and emigration, language and communication, and different cultures and customs — and to consider ways we can all transcend differences and celebrate diversity.

“New Kid,” written by Dennis Foon, recounts the tale of Nick and his mother, who leave “Homeland” for the U.S. — where they must learn many new things. Think new language, new foods, new sports, new customs.

While one peer befriends Nick, another bullies him — and both Nick and his mom experience challenges along the way.

“Eventually,” notes Childsplay, “everyone begins to adjust and Nick learns to maintain his respect for his family’s culture and heritage, while embracing his new homeland.”

Childsplay’s “New Kid” resource guide, available online, suggests the following links to supplement learning about tolerance and related issues: www.teachingtolerance.org, www.bullying.org, www.superiorcourt.maricopa.gov and www.census.org.

Childsplay also recommends three book titles — “Hannah’s Journal: The Story of an Immigrant Girl” by Marissa Moss, “The Hundred Dresses” by Eleanor Estes and “The Recess Queen” by Alexis ONeill.

Local mom Dana Wolfe Naimark, who heads the Children’s Action Alliance in Phoenix, recommends “The Sneetches and Other Stories” by Theodor Giesel (known to most as Dr. Seuss).

“New Kid” is being performed Sat, Dec 18, from 10:30-11:30am at the Arizona Science Center, located at 600 E. Washington St. in Phoenix. It’s free with paid general admission to the museum — but space is limited and available on a first-come, first-served basis.

The lobby and ticketing at Arizona Science Center will open that day at 9:30am for members and 10am for the general public. (Savvy parents who aren’t yet members can join the Arizona Science Center today to enjoy this and other member benefits.)

I’ve raised three Arizona kids — and together we’ve enjoyed countless trips to the Arizona Science Center and to Childsplay productions. It’s no surprise, I suppose, that they’ve chosen careers in theater, cultural anthropology and science — and that they’re all active supporters of diversity and social justice.

Theater + Science = Tolerance

— Lynn

Note: The Arizona Science Center presents “Bio Buzz Family Series” free with general admission from 1:45-2:15pm on “third Saturdays.” The Dec 18 topic is “Vitamin D: Disease Fighter and Fountain of Youth.”

Coming up: More art and science — as “Stage Mom” explores a traveling Smithsonian exhibit at the Arizona Museum for Youth and the diverse exhibits of the Arizona Museum for Natural History