Tag Archives: Big Love

Scottsdale meets Dr. Strangelove

I’ve got L.A. on the brain this week as Lizabeth prepares for West Coast audition travels. While she’s readying for the trip, L.A. Theatre Works will be performing at the Scottsdale Center for the Performing Arts.

They’ll present “The Real Dr. Strangelove: Edward Teller and the Battle for the H-Bomb” based on Peter Goodchild’s biography of Teller this Thursday (Feb 10) at 7:30pm.

Susan Albert Loewenberg is the producing director for this “classic black comedy” you may know from the 1964 film directed by Stanley Kubrick.

Teller was “a Hungarian-born physicist who believed in peace through strength.” His life and times, and his work on nuclear weapons, make for fascinating historical and theatrical fare.

Folks who register can learn acting tips from L.A. Theatre Works cast members Thursday afternoon. Lizabeth would love to attend, but I suspect the ASA theater teachers whose classes she’s missed while auditioning in NYC would rather see her smiling face over at Phoenix Theatre.

Happily, we own a radio — which means we can tune to broadcasts of L.A. Theatre Works productions.

Finally, something that doesn’t involve a chalkboard and little cut out figures strung together to form conspiracy theories and end of days scenarios.

Fond as I am of radio broadcasts, I’m delighted by the opportunity to see a live production featuring this non-profit media arts organization devoted to presenting, preserving and disseminating classic and contemporary plays.

Their distinguished company members are too numerous to name here. But think John Lithgow and Annette Benning. Hilary Swank and Ed Asner. Neil Patrick Harris and Hector Elizondo.

Cast members for this production include John Getz (Oppenheimer), who is featured in the film “The Social Network,” as well as John Vickery (Teller), who was the original Scar in “The Lion King” on Broadway.

There’s also Michael Canavan (“Bones,” “Big Love,” “Mad Men” and more) and Geoffrey Wade (“Law & Order,” “Bold and the Beautiful” and more).

L.A. Theatre Works’ outreach efforts benefit all sorts of audiences — from Americans living in rural communities to students studying in underfunded classrooms. They also house a huge collection of recorded plays.

Original docu-dramas produced by L.A. Theatre Works include “The Great Tennessee Monkey Trial” and “Top Secret: The Battle for the Pentagon Papers.”

Recently I heard an education expert address the need to return science and art to equal footing with math and language in American classrooms.

This play, and other L.A. Theatre Works offerings, do a brilliant job of elevating both art and science — and demonstrating the natural connections between the two.

— Lynn

Note: Click here to learn more about American physicist Edward Teller (1908-2003) — and check back later today for a post on ASU’s “Dreaming Darwin.”

Coming up: Musings of a “negligent” stage mother, Fun with fruit, Artsy alternatives to those pesky “pajamagrams”


ASU meets NYT

My husband James enjoyed a rare and simple pleasure this weekend when I left him with fresh copies of the Sunday papers so I could head out to the grocery store. It seemed the least I could do after seeing him stare at a bowl of cereal for which there was no milk.

When I returned, he handed me a lovely stack of papers that looked nothing like the pile he inherits from me most Sundays. Lopsided ads strewn about by our sometimes-frugal ASU student. Crossword puzzles ripped from arts sections so only half of most articles remain.

But most appreciated was The New York Times insert from the ASU Herberger Institute’s School of Theatre and Film — which details their 2010/2011 MainStage Season. Lizabeth and I enjoyed reviewing it together — over cereal complete with milk.

The School of Theatre and Film describes the season, which features seven plays and a student film festival, as “action-packed and innovative.” A central theme is exploring “the relationships that bind people together.”

The School’s director, Guillermo Reyes (also artistic director of the MainStage Season), says the season is “filled with contemporary and original works” focused on our relationships with “one another, our families and even our enemies.”

For those of you who missed it when we first announced the upcoming season, here’s a look at the many thoughtful works they’ll be presenting…

26 Miles by Quiara Alegria Hudes. Hudes wrote the book for the Tony Award-winning musical “In the Heights” (performed last season at ASU Gammage featuring composer and lyricist Lin Manual Miranda in the role he originated on Broadway). It’s a “coming of age dramedy” in which a Cuban-American teen explores her ethnic identify while taking a road trip with her estranged mother. I’m eager to experience the work, directed by Jerry Ruiz, with an eye to issues of both borders and boundaries. October 2010.

Big Love by Charles L. Mee. Kim Weild directs “an extavagent retelling of one of the oldest plays in Western history.” Picture “50 Greek sisters escaping by boat from what might be the world’s largest arranged marriage” — then imagine the tragedy, of Greek proportions, that ensues. I’ll be watching this with fond memories of my own ill-fated trip to see the tiny Greek isle of Patmos. November 2010 (contains nudity).

Allegra by Asher Wyndham. William Partian directs this MFA playwriting candidate work about a television newscaster who learns her unborn child might have Down Syndrome — then “grapples with the decision of whether to keep her unborn baby.” I suspect my experience with this work will be influenced by my many encounters with mothers, including Gina Johnson of “Sharing Down Syndrome Arizona” and Amy Silverman of “Girl in a Party Hat,” who parent children with Down Syndrome with both grit and grace. December 2010.

Dreaming Darwin by Lance Gharavi and Jacob Pinholster. This workshop production, directed by Gharavi, is a new work created when these two professors “assembled a team of ASU student artists” to explore Charles Darwin as a “fantasy on a theme.” It’s the next stage in the evolution of the work, presented last season as a staged reading. I may experience this as a sort of intersection of my three children’s interests — wildlife biology, cultural anthropology and theater arts. February 2011 (just in time to celebrate Darwin’s birthday).

A Bridge to the Stars by Henning Mankell (adapted by John Retallack). This work, a “poignant and soulful tale of a boy’s search for family, community and meaning,” is set against the “endless night” of a mythical Scandinavian village. I’ll be seeing this one with fond memories of long days and nights, as well as “northern lights,” during my childhood years in Alaska — plus college travels to cold, crisp and clean cities in Scandinavian countries. March 2011.

“The Skriker” by Caryl Churchill. This fantasy, directed by Joya Scott, “depicts a fairy underworld that has begun to bleed into our own” as a shape-shifting ghost “befriends, manipulates and attempts to control two young women.” The piece features “rich, evocative language…brought to life through movement and music.” I suspect I’ll watch this one feeling ever so grateful I’m not at home in front of a television series toying with tacky variations on similar themes. April 2011.

In the Penal Colony by Christian Krauspe. Kyle Lewis directs this adapatation of Frank Kafka’s original short story by an MFA playwriting candidate. The work explores the “the boundaries of punishment, loyalty, morality and tradition.” I’m not sure what I’ll take along when I see this work, but I don’t doubt that I’ll come away with something altogether more profound. April 2011.

Of one thing I am certain. The only thing sweeter than relaxing with a copy of The New York Times on Sunday morning is opening the paper to find more exciting news about ASU arts offerings — along with knowing I’ll be able to enjoy them firsthand as their new seasons of theater, film, music and dance unfold.


Note: The ASU 2010-2011 MainStage Season also includes the 6th Annual ASU Student Film Festival — taking place at the Harkins Valley Art Theatre in Tempe April 25 and 26, 2011. The event features “the best student films produced within the school, and features a 10-minute film competition sponsored by the ASU Film Association.” To learn more about season performance locations and ticket prices, visit www.mainstage.asu.edu.

Coming up: Animal art, Laugh your brass off, Spotlight on storytelling, Conversations with Cory English about life on the road with family and “Young Frankenstein”

ASU Gammage goes green!

Maybe I’ve just got Earth Day on the brain.

Earth by Caitlin, 5th grade (courtesy of NASA)

Thursday marks the 40th year of this celebration of the planet we populate so well but protect so poorly—and ASU does have an impressive roster of related events, some featuring visual art or film with a focus on sustainability.

But when I think green, it’s not the Earth that’s top of mind. It’s the 2010-2011 Broadway Season just unveiled by ASU Gammage.

Young Frankenstein, Shrek and the Grinch are all headed to Tempe next season—making this the season ASU Gammage goes green!

Parents delighted with the prospect of “Shrek The Musical” and “How the Grinch Stole Christmas” coming to town will have yet another reason to haul out their happy dance. Disney’s “Beauty and the Beast” is coming too.

I have a little ritual I go through each time ASU Gammage announces a season. First I pencil every performance into my daily planner (dates get inked in once I buy my season tickets).

Then I start scheming. Who’d enjoy seeing a show for their birthday? Anniversary? “Les Miserables” is coming in June, so that’ll take care of Lizabeth’s 18th birthday bash (or maybe Father’s Day).

For your groovier friends, ASU Gammage presents “Hair.” For those hardworking but underappreciated women in your life, there’s “9 to 5: The Musical.”

There’s “Fiddler on the Roof” for those of us lamenting the flight of young adults from our nests, “Billy Elliot” for lovers of the underdog or all things dance, and “Mamma Mia!” for the girlfriends eager to get their groove on.

Some are part of the 2010-2011 Broadway Season at ASU Gammage, while others are 2010-2011 Special Engagements.

Take note kids—I’d like to see “Hair” for Christmas and “Billy Elliot” for Mother’s Day (Who doesn’t love Billy’s letter to his mum?). The rest I plan to see just because…

My pencil was already poised last month as the ASU Herberger Institute School of Theatre and Film unveiled its 2010-11 MainStage Season featuring a fabulous mix of contemporary and original works.

ASU School of Theatre and Film offerings will include the “6th Annual Student Film Festival” and two “New Works Series workshop productions.”

“Allegra” by Asher Wyndham follows a TV reporter grappling with the knowledge that her unborn baby may have Down Syndrome. “In the Penal Colony” by Christian Krauspe (an adaptation of Franz Kafka’s “The Penal Colony”) explores the boundaries of punishment, loyalty, morality and tradition.

Other works on the way from ASU’s School of Theatre and Film include:

  • “26 Miles.” A coming-of-age “dramedy” about a Cuban American teen on a road trip with her estranged mother.
  • “Big Love.” An extravagant retelling of Aeschylus’ “The Danaids” in which 50 Greek sisters seek to escape a monumental arranged marriage.
  • “Dreaming Darwin.” A workshop production based on a 2009 staged reading of a “fantasy on a theme” about Charles Darwin.
  • “A Bridge to the Stars.” A tale for all ages that follows a boy’s search for family, community and meaning in a mythical Scandinavian village.
  • “The Striker.” A “dark parable for our times” rich in music and movement, in which a fairy underworld bleeds into our own—including the lives of two pregnant teens. 

Think a little. Dance a little. Wonder a little. Laugh a little.

You can do a little bit of just about everything at ASU—which leaves me all the more content with the little patch of Earth I call home. 


Note: Current productions at ASU include “Alfred Hitchcock’s The 39 Steps” (ASU Gammage) and “The Death and Life of Sherlock Holmes” (Paul V. Galvin Playhouse)

Coming up: A sneak peak at the Musical Instrument Museum opening in the Valley this weekend. If you’re as excited as I am about this baby, check their online “countdown” and watch the days, hours and minutes until opening along with me!