During the first season of the FOX television series “Glee,” I watched every week with my youngest daughter Lizabeth, then a junior theater major at a Phoenix school for the arts. She’s been a fan of the show throughout, despite the fact that “Glee” lost me during the second season after storylines left me feeling like “House” had a tighter grip on reality.
But I decided to give “Glee” another shot this year, recording (and eventually watching) a recent episode titled “Pot of Gold” — a reference to the Irish heritage of a new character named Rory Flanagan who croons Kermit the Frog‘s “Bein’ Green” while remoaning the bullying he experiences each day. Damian McGinty got the “Rory” gig after winning a competition titled “The Glee Project.” He’s less fascinating by far than the new “House” character Dr. Chi Park, but gets more solos.
I’m giving “Glee” another chance this season, despite some shortcomings it’s hard to shake — the miraculous appearance of costumes without the people who design and build them, props like “Lucky Charms” that fuel faulty notions of nutrition, bizarre boundary issues between birth parents and adopted children, and songs that seem to glorify risky behaviors.
Assuming that “Pot of Gold” was more than a flash in the pan, the third season of “Glee” promises to be an art advocate’s dream — complete with dialogue and plotlines addressing sexy topics like school budgets and political engagement. When the school’s cheer coach rallies for cuts to arts funding as part of her campaign for Congress, a blue-collar “Glee” parent gathers arts support from local businesses and decides to throw his own wrench into the ring.
The school’s production of “West Side Story” is saved and a fierce storyline is born. I’m expecting future episodes to further illucidate issues at the core of arts funding for students — the tanglible academic and career benefits of arts training, the value of funding arts to the same extent as athletics, the role of arts in creating engaged citizens who vote and volunteer in their communities.
It’s easy to pick on the media when we think they’ve gotten it wrong, but more productive perhaps to notice and praise the times they get it right. I’ll be paying careful attention to “Glee” this season, hoping they’ll continue giving voice to the arts at a time when far too many seek to silence it altogether.
Note: Click here to learn more about arts advocacy in Arizona, and here for information on Disney’s “The Muppets” being released on Nov. 23. For information on “The Glee Project” (including auditions), click here. To learn more about McGinty’s “Celtic Thunder” gig, click here. And click here for information on Irish arts and culture right here in the Valley.
Coming up: A “Star Trek” tale, Fun with animal art, “Dance dad” takes on “Dance Moms”
Update: “Glee” fans might want to keep an eye on the Facebook page for Actors Theatre of Phoenix, where details about an upcoming auction featuring several “Glee” items (including a signed script and a signed cast photo) will be posted in coming days.