Tag Archives: Dwayne Hartford

Once upon a playwright

Family is a common theme in works by Dwayne Hartford, pictured here (upper right) with his great-grandfather Luther (middle center) and other family members in Smithfield, Maine (Photo courtesy of Childsplay)

Once upon a time, while working in the mental health field, I came upon a rare play tackling themes related to youth suicide. It was Dwayne Hartford’s “Eric and Elliot,” one of many works performed by Childsplay in Tempe, where Hartford is both associate artist and playwright-in-residence.

I was asked to spend some time talking with cast members about mental health disorders in children and teens, something I’d experienced in both personal and professional mode — and was struck by their genuine interest in touching the lives of youth who’d be seeing the play in school and community settings.

Luther Hartford (here with wife Mable) built the family farmhouse in Maine

Though “Eric and Elliot” feels most personal to me, it’s “The Color of Stars” — being performed through May 20 at Tempe Center for the Arts — that feels most personal to Hartford. Though the work is fictional, Hartford recently shared that it was inspired by a story his father told him several years ago about loggers who boarded at his great-grandfather’s farmhouse while harvesting giant red oak trees for the war effort.

Though vastly different in topic and tone, themes in “The Color of Stars” mirror those of “Rock the Presidents” — a musical that made its world premiere at Childsplay before starting a nationwide tour I’m hoping will someday lead to the White House. It features book and lyrics by Hartford, and music by Sarah Roberts — and its common thread with “Stars” is the duty of every citizen to serve his or her country and community.

Hartford’s plays have been developed through Childsplay’s Whiteman New Plays Program. They’ve earned several awards, and often tour the country after premiering here in the Valley. “Eric and Elliot” received a distinguished play award from the American Alliance for Theatre & Education in 2005, and “The Imaginators” was produced and aired by our local PBS affiliate.

Hartford’s “A Tale of Two Cities,” an adaptation of Charles Dickens’ classic tale of love and redemption during the French Revolution, was developed through funding from the National Endowment for the Arts, and chosen for further development through NYU’s New Plays for Young Audiences program — proof that the Arizona/NYC bridge gets traveled in both directions.

The family farmhouse in Smithfield, Maine where Hartford spent time as a child

Other works by Hartford, who holds a BFA in musical theatre from Boston Conservatory and began writing plays in 2000, include “A Little Bit of Water” and “The Bully Pulpit” (published as part of “The Bully Plays“). Nowadays he’s actor, director and playwright — plus theater educator. He’s teaching “On Stage: Play Production” (for ages 8-14) with Childsplay associate artist Katie McFadzen during this summer’s Childsplay Academy.

Folks eager to learn more about Hartford’s plays can find him on Facebook or hit his www.dwaynehartford.com website. Learn more about Childsplay — including their production of “The Color of Stars,” their “35th Birthday Party” happening tonight (April 27) and their summer academy classes by clicking here.

– Lynn

Note: Supporters of women playwrights should mark their calendars for this year’s Pandora Festival of New Works, coming to Scottsdale Center for the Performing Arts May 18-20. Artists/students can click here to learn about the Hormel New Works Festival Art Contest, which is accepting submissions through June 1.

Coming up: Students sing Sondheim, Musings on music education, More playwright profiles — including James Garcia, Ben Tyler, Jim Gradillas and many more

“The Color of Stars”

Playwright Dwayne Hartford grew up in a small rural town called Smithfield, Maine -- where red oak trees perfect for building warships were plentiful

A lone blue star hangs in a window on the set of Childsplay’s “The Color of Stars.” It signals that fact that there’s a family member at war. It’s the father of a boy who’s been sent to live with his grandparents on a small farm in Maine. His mother is one of many American women working to build battle ships. The setting is World War II, and fear is rampant — making life especially difficult for Japanese- and German-Americans.

I sat behind a grandmother and granddaughter during Sunday’s matinee performance of “The Color of Stars,” a work by playwright and actor Dwayne Hartford, who grew up in a small town full of trees prized as raw material for making minesweepers. It’s there that Hartford learned lessons reflected in the play. The value of hard work. The nature of sacrifice. The importance of integrity.

I chatted with the pair, who hail from Chandler, after the show. They were attending as part of a “Grandparents Raising Grandchildren” program run by Duet, a non-profit organization founded by the Church of the Beatitudes. The granddaughter, a spunky redheaded teen named Veronica who loves writing horror fiction, told me the play was all about trust. Grandmother Roberta agreed and reflected on some of its other take-home messages. It’s better to ask than to assume, and wiser to smother a small fire than watch it burn out of control.

A fire sparked in the woods near the home Eddie shares with his grandparents mirrors the flames of fear fanned by those who assume all Germans, including a government worker sent to survey the area for trees, are Nazis. The lovely duo I chatted with shared that their own German heritage made the play feel especially poignant. I suspect “The Color of Stars,” directed by Graham Whitehead, will resonate best with those who’ve been on the receiving end of prejudice, those who’ve sent family members to war and those accustomed to small town life.

There’s much in “The Color of Stars” that mirrors my own childhood days spent visiting German grandparents in the tiny town of Tripp, South Dakota. Catching and gutting fish. Tending to corn crops. Doing farm chores like feeding the animals. Playing card games and Cribbage. Cast members share favorite memories of their own grandparents in “The Color or Stars” program, which also features several generations of Hartford family photos. (Seems Dwayne once rocked a big grin and some serious bangs.)

There’s a charming nostalgia to Hartford’s work, and a balanced take on the best and worst of what wartime does to families. It’s inspired me to dig out family photos I haven’t looked at in years. “The Color of Stars,” being performed through May 20 at Tempe Center for the Arts, is that rare piece of theater that spans the generations while strengthening the ties between them.

It’s also an eloquent window into wartime for students who tend to find the study of wars before the age of terrorism rather tedious. War has consequences. So do words. And everyday actions. “The Color of Stars” is a beautiful reminder that there’s strength in family, serenity in the night sky and something each of us must give to the community that sustains us.

– Lynn

Note: Childsplay is partnering with East Valley Blue Star Mothers to collect care package items for military members serving overseas. Audience members are invited to bring food or hygeine items when attending “The Color of Stars” — where they will be collected in the TCA lobby. Visit the Childsplay website for a list of requested items.

Coming up: Playwright profiles — starting with Dwayne Hartford of Childsplay

Update: Childsplay holds its 35th birthday bash Fri, April 27. Click here for details.

The Bully Plays

Makers of the film “Bully” have announced that it’ll open March 30 in select theaters, and make its way to Harkins Theatres Camelview 5 in Scottsdale on April 13. Bullying is also the subject of a new collection of short works for young actors called “The Bully Plays,” compiled and edited by Linda Habjan and published in 2011 by Dramatic Publishing.

“The Bully Plays” includes two dozen 10-minute plays addressing bullying “between and among young people, their parents and siblings” from various perspectives — the bullies, the bullied and the bystanders. Issues addressed include gender, sexuality, physical condition, social status and more — plus ways technology has changed the nature and scope of bullying.

“Bullying is aggressive behavior intended to harm or show power over another person that is repeared over time,” according to Susan Sugerman, M.D., M.P.H., an adolescent medicine physician who wrote the book’s forward. Sugerman is also president and co-founder of Girls to Women Health and Wellness in Dallas. “Bullies,” she adds, “have a strong need to show their dominance over others or to get their own way.”

“Victims of bullying tend to be children who are less popular or new to a situation,” according to Sugerman. Youth with academic, physical, or social ‘differences’ may be at particular risk of being bullied — as are those who don’t conform to gender norms. “Victims,” adds Sugerman, “tend not to get along well with others, have few friends, and have low self-esteem.”

But why choose plays as a way to tackle the topic? “One way to approach such a universal problem,” says Habjan, “is to get it out into the open and provide young people with strategies to deal with it in creative and empowering ways.” And Sugerman concurs that “When art can be used to improve, not just imitate, life, we are all better off.”

Two of the 24 pieces in “The Bully Plays” were written by playwrights-in residence at Childsplay, a Tempe-based theater company specializing in “professional theatre for young audiences and families” currently celebrating its 35th season.

“Gasp, Farrah & Monster” was written by José Cruz González, whose “Tomás and the Library Lady” (based on Pat Mora’s book) opens April 7 at Tempe Center for the Arts. “The Bully Pulpit” was written by Dwayne Hartford, whose “The Color of Stars” opens a world premiere run at TCA April 22.

The diversity of plays included in this collection mirrors the breadth and depth of real life experiences facing today’s children and teens. There’s school violence, cyberbullying, suicide and more. Settings include ancient Greece, a teen girl’s bedroom, a school on lockdown, a circus, a courtroom and others. Each play lists characters, setting and time — making staging the works easy in theater, classroom or community settings. Cast size varies from two to 25+.

Titles include “Bystander Blues” (Trish Lindberg), “Flash Mob” (Elizabeth Wong), “The New Kid” (Richard Dresser) and “What Goes Around” (D.W. Gregory). Though written to be performed by and for young audiences, they’re also helpful for introducing student to reading works of theater and inspiring youth to try their own hand at playwriting. Most importantly, they serve as conversation starters.

Long before “bullying” landed front and center in the national dialogue, Mary Pipher, Ph.D. addressed tough issues facing adolescent girls in “Reviving Ophelia,” the first of eight books filled with insights gleaned from cultural anthropology and clinical psychology. Pipher describes “The Bully Plays” as “a tasty antidote to our toxic teen culture.”

“This collection of plays is funny, sad, powerful and important,” says Pipher. “Bullying is a catch-phrase for treating others as less than human. All of these plays help teenagers develop their moral imagination and see that there is no us/them. There is only  us.”

– Lynn

Note: For additional bullying prevention resources, visit Teaching Tolerance and the Anti-Defamation League. Click here for details about a March 30 screening of the film “Bully” at the Phoenix Film Festival.

Coming up: A teacher tale, Student art exhibits

Update: Click here to read “The Defenders” by Sharon L. Green. The article, which appears in the May/June 2012 issue of “American Theatre” magazine, addresses theater works that tackle bullying. 5/2/12

Got scripts?

New works festivals present great opportunities for writers and audiences

Jason Tremblay of Austin won last year’s EVCT aspiring playwrights contest with “Queen Zixi of Ix, The Story of the Magic Cloak” — which was performed by East Valley Children’s Theatre just last month. It’s the adaptation of an L. Frank Baum story about two young children forced to live with a greedy aunt who moves them from country to city in search of work — and the adventures that help them bring happiness and prosperity to everyone in their new land.

Second place in last year’s EVCT playwriting contest went to Drew Ignatowski of Gilbert for “Moonprince,” and third place went to Texan Bobbi A. Chukran of Leander for “Princess Primrose & the Curse of the Big Sleep.” Cash prizes go to the top three winners each year, and the winning play is produced by EVCT (assuming it meets their criteria for performance). The deadline for 2012 submissions is Fri, March 15.

New Carpa Theater Co. recently issued a call for scripts inspired by the legacy of the civil rights movement, the United Farm Workers Union and contemporary social justice issues. They’re looking for works to present during a short plays festival they expect to hold in late May/early June as well as October. Think 5- to 10-minute stage plays, monologues, play excerpts and performance pieces. Scripts are due April 20, and can be submitted in either Spanish or English.

James E. Garcia, producing artistic director for the company, notes that eight to 10 pieces will be selected by a panel of seven local playwrights, writers and producers for staging at the festival. Additional works may also be presented for festival goers. Garcia describes the festival as “a non-partisan, grassroots, community-based project” designed to give theater artists and audiences “an opportunity to express their concerns regarding some of the most compelling human and civil rights issues of our time” — including those effecting immigrants, women and people of color.

The Utah Shakespeare Festival is now considering plays for its 2013 New American Playwrights Project. Scripts submitted for consideration must be postmarked by Nov 1, 2012. Three works (all with mature content) are being presented during the 2012 series directed by Charles L. Metten — “The Greater Love” by Frankie Little Hardin, “Turquoise Wind” by Kurt Proctor and “Play Desdemona” by Daniel Hintzsche.

Those of you who favor watching new works rather than writing them can enjoy the 15th annual Hormel New Works Festival being presented July 8-22 by Phoenix Theatre. The festival features staged readings performed by professional actors.

Phoenix Theatre also holds a “2nd Draft Series” designed to further the development of select plays presented during the Hormel New Works Festival. Three plays will get the “2nd draft” treatment in coming weeks and months — including Richard Warren’s “Pollywogs” (March 24), Kurt Shineman’s “Mother’s Milk” (April 21) and Scott McCarrey’s “The Wilds” (May 19).

The Arizona Women’s Theatre Company presents its 6th annual Pandora Festival of New Works May 18-20 at the Scottsdale Center for the Performing Arts. It features full-length plays, one-act plays and 10-minute plays written by Arizona women.

Theatre Artists Studio in Scottsdale is home to the “New Play Series and Reader’s Theatre.” Up next in their new play series is “4” by Terry Youngren (March 17). Their next reader’s theater will be presented April 23 by Drea Pruseau.

A Childsplay world-premiere read of Dwayne Hartford’s “The Color of Stars” comes to The Temple Lounge in Tucson Sat, April 14 as part of the Arizona Theatre Company’s Café Bohemia” series. The play’s described as “a touching story about life in America during World War II with modern-day parallels about the costs of war both overseas and at home.”

Folks who prefer seeing plays fully staged and polished will be pleased to know that “The Color of Stars” is being performed by Childsplay April 22-May 20 at Tempe Center for the Performing Arts.

– Lynn

Coming up: Frankly speaking, So you want to be a playwright…

Once upon a theater camp

Aaron Zweiback performs in Green Eggs & Ham with The Phoenix Symphony on St. Patrick's Day

I was reminded while reading Mala Blomquist’s post this morning that spring break camps will soon be upon us, and was busy trolling for camps with an arts and culture twist when interrupted by a call from 12-year-old actor and ASA student Aaron Zweiback, whose theater teachers include Xanthia Walker.

I first met Zweiback last summer when my daughter Lizabeth, who now studies acting in NYC, was a teacher assistant with Childsplay Academy in Tempe. She’d invited me to see the final performance of a summer workshop with a “Hairspray” theme. Zweiback was one of several campers performing snippets of the musical for family and friends — and his Edna a la bathrobe was a hoot. He’s also done theater camps with Phoenix Theatre.

I ran into Zweiback after a recent Valley Youth Theatre performance of “Charlotte’s Web” — during which he rocked the rat role — and put fist to ear with the typical “call me” sign after chatting with his dad. In a rather spooky coincidence, I’d been wondering earlier this morning whether he’d ever have time to actually pick up a phone.

Today was the day, and the call couldn’t have been better timed. Turns out Zweiback is performing in several shows I’ll be seeing in coming days and weeks. I learned yesterday that I’ll need a little snip to a torn part of my left knee, but decided to postpone all things arthroscopy for another two weeks in order to keep my review calendar mostly intact.

Aaron Zweiback recently performed in Charlotte's Web at Valley Youth Theatre

So life looks like this for me and my knee: See Zweiback and others perform in “Gypsy” at Phoenix Theatre this weekend, limp my way through a trip to visit Lizabeth over spring break, then catch a returning flight in the wee hours that gets me home just in time to hit another Zweiback gig — The Phoenix Symphony performing “Green Eggs and Ham.” Then squeeze in the surgery thing (with a doc who took his kids to see a friend from the Valley perform in “Grease” on Broadway a few years ago). I’m told the wait won’t worsen what ails me.

Turns out “Green Eggs and Ham” includes all sorts of amazing folks from Valley stages. ASA teacher and renowned Valley actor Toby Yatso, with whom both Lizabeth and Zweiback have studied voice, is narrating the story. Zweiback does his “boy soprano” thing as “Sam I Am” and shared that the theatrical piece of the concert is being blocked, choreographed and directed by Bobb Cooper, VYT’s producing artistic director.

There’s another Sam in Zweiback’s life as well — an actor named Sam Primack whose little mittens I once guarded with care as backstage mom for a Greasepaint Youtheatre production of “Oliver.” He and Zweiback were in “A Christmas Story” at Phoenix Theatre earlier this season, and both are cast in Childsplay’s world premiere production of Dwayne Hartford’s “The Color of Stars.”

Sam Primack poses with a VYT fan after performing in Charlotte's Web

After Zweiback shared a bit about auditioning for all these shows, I invited him to write a guest blog with audition tips for young actors — and he graciously agreed. It takes a generous spirit to share one’s own “secrets to success” and Zweiback certainly has one. I fully expect to see him performing on Broadway stages one day, and hope he’ll also keep an eye out for opportunities to audition for roles in works by William Shakespeare where his intellect and gift for comedy would shine.

If the ticket fairies are working in my favor, I’ll be able to enjoy the work of another Valley-trained actor while in NYC next week. Nick Cartell, who has performed with VYT, Phoenix Theatre and other Arizona companies makes his Broadway debut this month in a revival of “Jesus Christ Superstar.”

Katie Czajkowksi and Aaron Zweiback after a Childsplay summer camp performance based on the musical Hairspray

I’m also looking forward to the Homestead Playhouse production of “Holes,” being performed at Copper Ridge School in Scottsdale March 28-30, because another young performer I met after the Childsplay “Hairspray” camp performance landed the warden role. Katie’s mom, Deb Czajkowski, recently got in touch to share the happy news — and her thoughts on the many benefits of theater for youth.

I hope those of you still wondering what your children or teens might enjoy doing over spring break will do a little theater camp legwork. One day, perhaps, you’ll get to turn to your child and share the old theater adage for good luck — “Break a leg!” Just try to keep your own body parts intact in the meantime…

– Lynn

Note: Click here to read Mala Blomquist’s post on spring break camps and here to learn about all sorts of summer camps. Find additional spring break camps at Voices Studio, Creative Stages Youth Theatre and Mesa Arts Center (if you’ve got one, send me the scoop at rakstagemom@gmail.com).

Coming up: Spring break NYC-style, Hometown boy makes Broadway debut

To protect and preserve

Yolanda London, Eric Boudreau and Colin Ross in Childsplay's "Rock the Presidents"

With all the political bantering these days, I sometimes worry that the office of president isn’t getting the respect it deserves. So I was thrilled when Childsplay’s Sunday preview of “Rock the Presidents” at Tempe Center for the Arts opened with a rap number called “Hail to the Chiefs” — which recounts the name of each president while reinforcing our duty as Americans to protect and preserve the highest office in the land.

Think what you will of any given president, but know that the office is worthy of respect and dignity, and we do ourselves no favors by attempting to diminish it. “Rock the Presidents” is a perfectly non-partisan look at those who have served, which makes clear both their humanity and their dedication to the nation. It’s easy to sit back and criticize, and so little that’s worthy comes of it.

Better to teach our children to honor those who step up and lead, and to remind them that they too have the power to make a difference. Public service is a noble calling. And being an informed, engaged citizen is essential. These are the messages conveyed throughout “Rock the Presidents,” a musical salute to all 43 presidents featuring book and lyrics by Dwayne Hartford and music by Sarah Roberts.

Roberts plays guitar on the soundtrack, as does Jason Brown. Other musicians include Jonathan Ivie (piano and keyboard), Scott Miner (bass), Mark Stolper (drums), David Dickinson (Violin) and Scott Leader (ukelele and guitar). Jonathan Ivie is musical director for the work, which features everything from rock and rap to country and calypso. Think concert meets classroom.

The “Rock the Presidents” set, designed by Holly Windingstad, is a mix of stately and sparkly red, white and blue elements with a giant screen in the center onto which images of presidents and related fare from speeches to statues are projected throughout the show thanks to projection design by Limitrophe Films. It adds a fabulously nostalgic feel while upping the show’s educational value for children and teens.

Eric Boudreau, Yolanda London and Colin Ross rapping "Hail to the Chiefs"

Eric Bourdeau (Harry), Yolanda London (Amy) and Colin Ross (Ted) open “Rock the Presidents” donning black secret service gear by costume designer D. Daniel Hollingshead as they appear to sing into tiny spy mics hidden in the ends of their sleeves. They’re capable quick change artists who also rock general, cowboy, hippie and other vibes during the 90-minute gig that features choreography by Molly Lajoie. Think line dancing to shades of disco, all done in good taste.

Director Anthony Runfola strikes a perfect balance between rock concert and musical theater production. Lighting design by Tim Monson plays up the rock star vibe, as do cast member shenanigans with standing mics, high fives with children seated in the front row and shouts like “Thank you Tempe!” Their first crowd laughed and clapped with enthusiasm, rising to a standing ovation after the final number titled “Are You a President-to-be?”

The fact that every American president to date has been a man isn’t lost on Hartford, who included plenty of dialogue and lyrics hailing women who’ve made a difference while encouraging girls in the audience to aspire to the country’s highest office. But the favorite number by far, which closes the first act, was a little ditty on presidential pets from ordinary to odd called “They Got a Dog.”

The second act opens with “Not Made of Stone,” performed against the backdrop of an image of Mount Rushmore. It’s an ode to each president’s humanity which, when coupled with “I’m Not All Bad,” reminds folks that every president has both accomplishments and failures. Presidents, you see, are people too. In many ways, they’re like me and you.

Presidents we’ve lost are remembered in “What Could Have Been?,” while the contributions made by presidents after leaving office are celebrated in “I Am More Than Four Years.” Two rounds of “The Presi-tron” test audience member knowledge of presidential trivia, and “Who in the World is Millard Fillmore?” pays tribute to presidents too often forgotten.

Colin Ross in Rock the Presidents, being performed in Tempe through March 4

The song “John and Tom,” which praises the mutual civility demonstrated by John Adams and Thomas Jefferson despite conflicting ideas, feels most relevant for today’s society seeped in supercharged sniping. We don’t have to agree on everything to get along, or to get things done.

My own favorite song is “The Only Thing We Have to Fear,” inspired by FDR’s first inaugural address. Hartford says his greatest hope is that folks will be entertained by “Rock the Presidents.” That’s clearly the case. But I suspect something more will happen too, as those who “Rock the Presidents” with Childsplay reaffirm their responsibility to protect and preserve.

– Lynn

Note: The creative team for “Rock the Presidents” also includes Christopher Neumeyer (sound design). Samantha Monson serves as stage manager and Jenny Millinger serves as dramaturge. David Saar is Childsplay’s founder and artistic director, and Steve Martin serves as managing director.

Coming up: Let’s Play!

Photos: Heather Hill

Rock the Presidents!

Childsplay's "Rock the Presidents" set designed by Holly Winginstad

Though Dwayne Hartford and Anthony Runfola of Childsplay in Tempe are both history buffs, they hadn’t realized that one-fourth of America’s presidents were generals until working on “Rock the Presidents” — a 90-minute musical celebration of the 43 who’ve served in the country’s highest office during the course of 223 years. Or that presidential pets have included a cow, bear cub, alligator and tiger.

The world premiere of “Rock the Presidents” takes place this weekend at Tempe Center for the Arts. The original Childsplay production, in the works for about two years now, features book and lyrics by Dwayne Hartford, an associate artist and playwright-in-residence with Childsplay. Also music by Sarah Roberts, who’s known Hartford for many years thanks to a common thread back in Maine.

Runfola, production manager for Childsplay, directs the work — which has music but no linear story like something you’d experience with a more traditional work of musical theater. Instead, it’s akin to 26 two-minute plays set to music. Think rap, rock, country, folk, blues and more — all part of a CD folks will be able to buy at the show.

Seems neither Runfola, Hartford nor Roberts remember learning more than a few basic facts about the biggies like Washington and Lincoln as they were growing up. All hope children who experience “Rock the Presidents” will leave feeling a little more interested in history. And more connected to history as well. “We don’t look at the past as often as we should to guide us towards the future,” reflects Runfola.

Still, Hartford says he “wanted politics to stay out of this.” He’s not interested in vilifying anyone. There’s a reason he chose to “rock” rather than “mock” the presidents — despite his experience with writing parody. “I grew up in a family that encourages participation in civics and being aware of your part in the community,” recalls Hartford.

“Our presidents were real people,” says Hartford. “They aren’t just statues.” Sure, they all made mistakes. But what he’s celebrating through the work is “their choice to get involved and make a difference.” Hartford sees a common thread binding everyone who’s held the office of president — a desire to help the country, and a belief that they can do just that. “They all believed in the country,” says Hartford, “and the possibilities.” They were optimists.

Both Roberts and Runfola praise Hartford’s decision to portray some of our more recent presidents as children. The approach takes the focus off particular aspects of their politics, and places it on their humanity. And it’s a powerful way to reinforce the show’s main message for children. Anyone, including you, can become president one day.

Your first chance to see “Rock the Presidents” will be this Sunday, Feb. 12 at 4pm — which is Abraham Lincoln’s birthday. It’s a preview performance so tickets are just $12. Regular performances, recommended for ages seven and up, will run Feb. 18-March 4. Folks who attend the 4pm performance of “Rock the Presidents” on Sat., Feb. 25 can enjoy an election workshop before and backstage tour after.

A Childsplay fundraiser on March 2 will feature a special VIP performance of “Rock the Presidents.” The “Rock the Presidents State Dinner” will raise funds for Childsplay arts-in-education programs. “Rock the Presidents” is also available for school tours (grades 2-12) March 13-May 25. Click here for details — and watch for news of the “Rock the Presidents” national tour.

– Lynn

Note: You can enjoy a free MP3 download of the show’s opening number, “Hail to the Chiefs,” a rap song featuring the names of all 44 presidents — click here for details.

Coming up: Favorite presidents — plus presidential pets